Please Bear With Me


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Here’s part two of my tribute to Dandy, Handy and Candy, the original Sugar Crisp Bears. Read about their escape from a shark, many years before “Jaws”, and then listen to this old children’s record about the bears. See if you can guess who is the principal singer on the record: http://www.zshare.net/audio/72056233966bcdac/. The scratches, pops and ticks are from more than 50 years of well-loved play!

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Felix this time is from 8/24 to 8/30/1936. It’s a spooky week in the forest for Danny and Felix as they encounter an elephant, a lion, a crocodile, a monkey and an ostrich, all beautifully designed by Otto Messmer. The Sunday features Snobbs in a big dog suit, as he once again becomes Felix’s enemy. Oh, what a short memory has Snobbs, and how ungrateful he is for past favors!

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In the Kat this time, (from 2/12 t0 2/17/1940) Offissa Pupp just can’t win. First he is continuously fooled by the ruse of storing bricks in Ignatz’s big Beaver hat, then, even Joe Stork is in league with Ignatz as he smuggles in a brick hidden in his “bindle” (2-17).

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It’s a full week of Patrick this time, from 11/15 to 11/20/1965. Patrick is a pretty big brat, but you will notice that in 1965, no “time outs” for bratty kids. In the 11/19, Patrick is standing in the corner, feeling the stars from being spanked. No “Nanny-911” necessary for this incorrigible boy.

Notice the link over to “Yowp” over to the right. Click on it, and visit a great blog devoted to  pre-Iwao Hanna-Barbera cartoons, when the world was safe for the silly puns of Charlie Shows, and the designs of Ed Benedict and Dick Bickenbach, not to mention the animation of Ken Muse, Carlo Vinci, Ed Love, Lewis Marshall and many others. Yowp writes in a very entertaining and non-worshipful fashion about these cartoons. He likes some of them and is dismissive of others, but it’s heartening to read his analysis of the stories and the tricks that the animators used to liven up the limited animation of the late 1950s and early 1960s. He singles out Carlo Vinci for the extra effort he put into making funny extremes, for instance. Yowp also points out how powerful a two drawing cycle or just a “pop” to a strong pose can be in limited animation. It was Ward Kimball who once defined animation as “the difference between two drawings”, and there are numerous examples of the power of two drawings on Yowp’s blog.

The best part of Yowp’s blog is his emphasis on the stock music that these cartoons drew on, and the stories behind the composers like Jack Schaindlin and Geordie Hormel. You can listen to the musical clips without effects or dialogue over them. Find the music that accompanied the Augie Doggie cartoons, by Bluestone, Cadkin and Phil Green; it’s quite appealing and even moving.  Of course, I think the theatrical cartoons of the 1930s and 1940s are the very best, but there is a dusty little corner of my heart and my brain where the early H-B Enterprises cartoons reside. Yogi Bear, Huck Hound and Quick Draw McGraw were like old friends to me, and the cozy, 1950s library music that Bill and Joe used for chases, like Jack Shaindlin’s “Toboggan Run” or “On The Run” played endlessly in my head as my brother and I rode our bikes fast through old St. Louis neighborhoods. These cartoons were on at a time of my life when I responded strongly to animated TV comedy, the watershed was Magilla Gorilla. When Magilla came on, I enjoyed them, but I knew that something was missing. Daws Butler was not the star voice anymore, for one, and the stock music that I loved was no longer there. I better quit blabbing about H-B stuff before Mike Barrier throws his computer at me, but I was a fan, so what.

      By the way, I wish Yowp could teach me how to embed sound files in this here WordPress type blog, then I wouldn’t have to use ZShare! Oh well, head on over there and tell Yowp that I sent you.

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