Mark Kausler’s CatBlog

A New Post at Last!

Hi Readers,

We’ve been off the “air” for awhile, just for how long I don’t know. I have been neglecting the Catblog, and I’m sorry for that. The site was hacked near the Holidays. The Go Daddy Web Host people came to my rescue and restored the Catblog, including the Archives! They did a great job, but it was costly. Maybe I will put up a “Go Fund Me” page for the Catblog. You may remember a particularly creative hack the Catblog went through a few years ago when I had 5000 unwanted users from Russia! They took advantage of a security leak and I had to eliminate all of them ONE AT A TIME! Word Press is pretty good to write on, but their rules are complicated. You have to have the “latest version” of Word Press installed, or there are breeches possible. Word Press seems to put up a new version about every two weeks!  Having a blog is like maintaining a little fort in the digital wilderness, constantly vulnerable to attack by the aboriginals. And sometimes they are more “original” than “aba”s. Here’s hoping you are all well that read this blog, and bless you for doing that. A good friend of this blog, Charles Brubaker, the eminent cartoonist, wrote to me and told me the blog was down, thanks Charles! A Better New Year to y’all and now here’s another batch of “Now Listen, Mabel” by George Herriman: 8-27 to 9-3-1919. Jimmie is fired from the Moonshine Comedy Films Studio for trying to satisfy Mabel’s ambition for him to be a star. In the 9-1 through 9-3 strips, Jimmie fools his own father by wearing a tuxedo as he escorts Mabel to a fancy dress party. Remember that these strips are “clickable”, so just click on them to enlarge.

An End and a Beginning

Here are the last three weeks of Herriman’s Krazy Kat from 5-13 to 6-3-1944. Joe Stork makes his final appearance in the 5-13 and 5-14 strips, bringing a “bindle” to Mrs. Coyote, who seems used to many pups. Krazy at the diner in the 5-19 and 5-20 strips seems obscure to me, especially in the 5-19, as Krazy waits outside the Diner doors, too docile to heed the first calls to Dinner, Lunch and Breakfast. Krazy is so docile that he falls asleep outside the diner, a shy and hungry Kat. Offissa Pupp avoids Krazy’s questions about the equator and the north and south poles in the 5-22 and 5-23 strips, just like a father ignoring his child’s annoying questions. The Diner series of strips ends with the 5-26, as a very fat Krazy eats everything in the diner. In the 5-27, a mysterious thing occurs, as a palm tree picks up Ignatz’s brick and hides it from Offissa Pupp. In the final week of the Krazy dailes, Ignatz brags in the 6-1, that no matter how far or how near he throws the brick, he wins! In the 6-2 strip, Herriman’s ugliest drawings of Krazy are in the last two panels as Krazy angrily discovers that what he thought was an “eggo” is actually Ignatz. In the 6-3, Garge introduces a couple of new characters, a dog and her drunken husband. Offissa Pupp is the last classic character to appear in the KK dailes. Herriman draws Krazy and the Pupp with jowls in the last strips, placing a dividing line under the noses, creating a sort of peeved expression on the characters’ faces. It’s sort of a subtle indicator of aging. For the next several posts, the Catblog features a Herriman daily strip that has never been collected before,”Now Listen Mabel”, from 7-28 to 8-2-1919, 102 years ago. The San Francisco Examiner, where these strips came from, didn’t start carrying Mabel until July, missing the earliest strips from April. They carried it all the way to the last strip, dated 1-10-1920, later than generally thought by the historians. According to Herriman’s biographer, Michael Tisserand, George McManus, creator of “Bringing Up Father”, endorsed “Now Listen Mabel” in a special ad that ran in the Hearst newspapers. Here’s a paragraph describing the strip: ” Now Listen Mabel introduced Mabel and her boyfriend, a shipping clerk named Jimmie Doozinberry. Mabel and Doozinberry’s boss, Mr. Sisstim, regularly conspire against Doozinberry until he finally cries out, “Now Listen Mabel.” Although “Mabel” was the name of both Herriman’s wife and his oldest daughter, the likely inspiration was a popular collection of gag verses with the punch line “Ain’t it awful, Mabel?” Herriman also must have noted the success of Rube Goldberg, who based several strips on catchphrases, most notably I’m the Guy. However, Now Listen Mabel was not destined to become the country’s next catchphrase, and the strip concluded before the end of the year.” That last statement is not quite true, for reasons I’ve given above. I’ve linked a video featuriing a lecture that Michael Tisserand, author of Krazy, George Herriman,  a :Life in Black and White,  did in 2016 about Herriman and the odd facets of his life as a man and a cartoonist. Enjoy it, and I’ll be posting again soon.

The Dregs of Garge, 1944

Hi Folks, Here’s Herriman’s Kat from 4-17 to 5-13-1944. We can see from these strips that Garge worked about nine weeks ahead of deadline. When he passed on April 25th 1944 of cirrhosis of the liver, he had a few uncompleted dailes on his drawing board. The Swan/Duck gags of 4-21 and 4-22 just pop up out of nowhere and don’t seem to connect to Krazy’s world, except for the backdrop of Coconino formations.In the 4-25 strip, Offissa Pupp tries to break the Kat Langwitch, as Krazy uses the plural of “Mouse” to mean one mouse, that is, the “Mice”: Ignatz  “A Rolling Stone Gathers No Moss” is fractured, as Krazy hears “Moths” as “Moss” in the 4-27. The old adage is VERY old, dating to 1023 in Erasmus’ Adagia. In the 4-29, Offissa Pupp uses a favorite word: chouse, meaning to Trick or Deceive.The 5-1 has a vaudeville feel to it, as a dog joke comes in, probably from the 1913 version of the strip. Another reference to Herriman’s most-referenced Wartime Agency, the O.P.A. appears in the 5-5, claiming that Krazy has a “Priority” on his nine lives.

Garge does a little more shading with his pen in this batch of dailies. I like the snowstorm effect he gets in the 5-13, he probably scratched out the snowflakes with his knife after putting down a coat of black on the bristol board. In the 5-8 through 5-10, Offissa Pupp quotes Geoffrey Chaucer as he dredges up the old adage, “Time and Tide Wait For Nobody (No Man, originally)”.Jail gags dominate the 5-11 through 5-13 dailies. Offissa Pupp’s head looks really smashed horizontally in the third panel of the 5-11, perhaps Herriman’s arthritis flared up just as he was drawing the old dog’s face that day. There’s another post or two left in the 1944 Herriman opus, so keep checking, they will soon appear. Thanks for reading! Mark