My friend Don Hahn has put together a two-volume set of books that took him almost 20 years to get published. It is called DRAWN TO LIFE, and comprises the entire set of “handouts” that our gesture drawing teacher at Disney, Walt Stanchfield, distributed to all takers every week in the late 1980s and 1990s. Walt was one of those rare art teachers who made figure drawing accessible to us “cartoonists”, by making the poses and the ideas behind the poses the point of the drawing lesson, rather than the fine points of anatomy. These were “gesture” drawing classes that usually used clothed models holding props. It was OK with Walt to be as creative as we wanted to be with the poses, even turn them into Donald Duck if we wanted to, just as long as we caricatured the model’s gesture in a few well chosen lines. These books would enhance any art school that prizes traditional drawing skills, as the lessons transcend animation and give aÂ lot of inspiration along with the lectures. Walt Stanchfield was an assistant and animator at Disney during the years 1949-1986. Before that he worked for the Charles Mintz studio in 1937 and Walter Lantz in the mid to late 1940s (the Fred Moore/Ed LoveÂ era).Â He started his classes in the late 1980s and taught through the 1990s, he died in 2000. Walt was amiable, sometimes he would draw a real quick little doodle right next to my labored-over gesture drawing, that got right to the heart of the pose in a few seconds. Sometimes, Walt wouldn’t get the pose either, and he was quick to admit his failures. He lived in Solvang, CA with his wife Dee and was a very good watercolorist as well as being a whiz at gesture. Walt was a very modest man, who played tennis nearly every day before work. He always described himself as “just a plodder”, nothing special in animation. If you praisedÂ him too much to his face, he could get riled, he thought compliments were insincere. I really learned a lot from him, though. If you get Vol. 2, there are about a dozen of my little sketches reproduced, even indexed! I never thought those little drawings would be in a nice textbook like this one, what an honor! These books have a cover price of $29.95, and well worth the tab, but if you lurk about Amazon, etc., you can probably grab a copy or two off for less. The great Focal Press of England is the publisher, they also did the little paperback “How To Cartoon” by John Halas and Bob Privett, in the late 1940s, I believe. These books deserve a space in any art school library, and deal with drawing, gesture, tangents and acting among a lot of other things. Get them, or just read them, you’ll be glad you did.
Here is the first part of a draft for the Tom and Jerry cartoon: “The Night Before Christmas”, see if you agree with it:
1. Fade in Exterior, Tom and Jerry’s Home–No Anim.
2. Dissolve to shot of fireplace—-Jack Zander
3. Cut to C.U. of Trap at Hole——Zander
4. Cut to Packages Under the Tree—–Zander
5. Cut to Candy Cane hanging on Tree— George Gordon
6. Cut to Doll’s Rocking Chair—————-Gordon
7. Cut to Stuffed Toy Lion———–Gordon
8. Cut to Jerry in Lion’s mane, he jumps—-Gordon
9. Jerry lands on Tom——-Gordon
10. Jerry runs from Tom—Cecil Surry
11. Pan of Jerry in Light Socket—-Surry
12.Â Dissolve to Jerry running———Bill Littlejohn
13. Jerry in line with toy soldiers——–Littlejohn
14. Tom at end of soldiers line———Littlejohn
15. Perspective shot of Jerry in Line—-Littlejohn
17. Jerry in line, Tom enters——Littlejohn
19. Tom at Railroad Crossing——–Surry
20. Perspective shot Jerry on Train———Surry
21. Pan of Tom———–Gordon
22. Tom puts on boxing glove———Gordon
23.Â Tom runs around tree to Jack in the Box——–Gordon
24. Boxing glove on spring—-Gordon
25. Pan shot with mistletoe———Zander
26.Â Â closer shot of mistletoe and Jerry———-Zander
27. close up of Tom acting defiant——–Zander
28. Repeat of Sc. 26——–Zander
29.Â Â Tom in coy poses (modelled on Mickey Rooney’s gestures)——Zander
We’ll continue on from here next week, let me know what you think.
This week in comics we have the next two pages of “Twinkle, the Star who Came Down From Heaven” from CALLING ALL KIDS #7, any clues on who might have done the art? I love the relativeÂ sizes of Twinkle and theÂ Earth’s Moon in the second page, I’m a sucker for fireflies in Japanese lanterns too. In MARVELOUS MIKE this week from 3/18 to 3/23/1957, Peggy Kimball is a big part of the action. It is revealed to her Dad, Mr. Kimball that she is the leader of the car “thieves”. MikeÂ overhears herÂ confession as he eavesdrops on her telephone conversation while she “babysits” him. KrazyÂ Kat this week is from 8/7 to 8/12/1939. Edgar Bergen must have beenÂ on the radio in Garge’s house as he concocted this story of Ignatz making his brick talk through ventriloquism. A whole week’s worth of strips follows “starring” the brick. As always, I would love to hear your comments, see you next time.